Portfolio > STITCH is a weekly ongoing, community-based SEWING BEE to support The Spirit Tapestry Project.

The Trinity
fabric, ceramic, glass, metal
84"H x 84"W x 24"D
2013
The Trinity
fabric, ceramic, glass, metal
84"H x 84"W x 24"D
2013
Tapestry Installation: Have You A Little Fairy In Your Home?
fabric, glass, fur, leather
84"H x 100"W x 30D
2013
Tapestry Installation: Have You A Little Fairy In Your Home?
fabric, glass, fur, leather
84"H x 100"W x 30D
2013
Tapestry Installation: Have You A Little Fairy In Your Home?
fabric, ceramic, glass, metal, leather
84"H x 100"W x 30D
2013
Tapestry Installation: Where We Are
fabric, photos, wood, paper
48"H x 84" W x 12"D
2013
Tapestry Installation: Where We Are
fabric, photos, wood, paper
48"H x 84" W x 12"D
2013
Rising
fabric
6 x 8 feet
2011
STITCH 2011 On the Road in Chico, California
digital photograph
18 x 24 inches
2011
STITCH on the Road, Chico, California
digital photograph
18 x 24 inches
2011
STITCH 2011, a weekly,community-based sewing bee to support The Spirit Tapestry Project
digital photograph
18 x 24 inches
2011
STITCH 2011, a weekly,community-based sewing bee to support The Spirit Tapestry Project
digital photograph
18 x 24 inches
2011
STITCH
digital photograph
2011
STITCH 24 July 2011
digital photograph
2011
STITCH 2012—a weekly,community-based sewing bee to support The Spirit Tapestry Project
digital photograph
18 x 24 inches
2012

Ramekon O’Arwisters’ exhibition, Sugar In Our Blood, is an autobiographical exploration of sexual stereotypes in the LGBTIQA and African-American communities. Folk-art traditions and techniques are physical stand-ins for race, sexuality, and spirituality in his work. Sugar In Our Blood is a collection of mixed-media installations including a collaborative, community-based art project that uses the folk-art tradition of rag-rug making to reference intertwined themes of domesticity, sexuality, and spirituality. Large rag-rug tapestries made from intimate apparel, nightgowns, and shirts are combine with church hats, family photographs, aprons, and other cultural icons. His community-based sculptures reference the American histories of gender, sexuality, and racial politics, creating a timely critique of our prevailing national anxieties.

A major component of Sugar In Our Blood: The Spirit of Black and Queer Identity in the Art of Ramekon O'Arwisters at the African American Art & Cultural Complex (AAACC), San Francisco, California in JUNE 2013–SEPTEMBER 2013 is The Spirit Tapestry Project. The Spirit Tapestry Project, a community-based project, comprises eight to ten large tapestries made from intimate apparel using the folk-art tradition of rag-rug making and crocheting.

The Spirit Tapestry Project will be on display at the de Young Museum, San Francisco, during my artist-in-residence in April 2012.

Creativity Makes Us Kin.

In my social-art practice, collaborative, community-based art projects are combined with folk-art traditions and techniques to foster and support a culture of collaboration and team-building in a relaxing, affirming, and meditative environment, in which participants can access their creativity. Crochet Jam provides a heightened state of relaxation that reduces stress and anxiety, promoting creative thinking and problem-solving. Art heals—it's a bridge that unites people and cultures.

The goal is to quickly and easily engage participants in a relaxed and creative state of being by transforming cloth strips into large
tapestries using the folk-art tradition of rag-rug making. Materials are provided and no attempt is made to direct the creativity outcome
of the project. Instruction in basic crocheting is provided.